Sony HDR-AS50 in the Test

The Sony HDR-AS50 is offered as an alternative to Go Pro cameras. We have the Action cam in the test.

You can find Action cams at the food discounter now on the bargain counter for under 100 euros. By contrast, Sony’s entry-level model HDR-AS50 seems almost expensive with 230 euro – you look at the accessories supplied with the price difference is even more clearly fails,: because Sony there is no monitor image control at this price and also the brackets are stingy. To the two self-adhesive pads you will need to buy to other holders.

Unfortunately, there’s also the very good remote control (RM-LVR2) for the wrist only at an additional cost of approximately 120 euros. Who would like to save it, access to the Smart phone, because the Action cam can be controlled via the Play Memories mobile app and furthermore provides a relatively lag-free preview.

For the establishment of the Sony HDR-AS50, you will find a QR code – you should muster yet some patience for the first establishment in the battery compartment. That time went, Smart phone and Action cam connect fast – and you can switch the camera from a distance even off and on again.

A2zcamerablog.com reveals the special feature of Sony: the AS50 offers an increased range, which passed through several walls and around 15 metres in the test menu item Wi-Fi-Hi. Another plus: the Action cam you can pair with more, which then automatically go into recording, enabling the start of recording with the main camera.

Recommended reading: Action cam test 2016

Sony has improved the status display on the camera, which now shows a comprehensible menu. Divers will appreciate not only the button for switching on, but also the improved and up to 60 metres thick diving casing. Unfortunately, the manufacturer waives the microphone input, provide the more expensive models.

In use the Sony HDR-AS50 lasted at least good 130 minutes – an above-average value. The viewing angle is 132 degrees – what inevitably causes distortion such as a fish-eye lens. But the wide angular video recording, the quiet is the image.

Better, if you switch to the image stabilizer, which is then reduced to 110 degrees viewing angle and the distortion will decrease. The image stabiliser works properly – but the sensor can be by hard knocks still out of step and shows then distinct line dropouts (wobble and jitter effects).

The color is perfect, however, and delivers two profiles. One with neutral colors, which is ideal for post processing. With vivid, however, just get the usual Action cam colorful crisp pictures.

Conclusion

In comparison with the low Action cams, Sony delivers far more sophisticated operation and a sophisticated image quality. Only hard impacts are not quite the precinct of the Sony AS50.

Gallery

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